Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Saturday, March 16, 2024

Orange Zeppelin: Questions About Wabbajacking Off

If you haven't checked out my Full Overview on Orange Zeppelin, you should.
If you wanna read a far shorter interview from November 2022, you can HERE.


In 2017 you did the Mockstrosity Tour Artwork for Mac Sabbath, Metalachi, and Okilly Dokilly. Are there any bands out nowadays that you would want to do artwork for?

OZ: I would love to do something for Nekrogoblikon! I’d also give at least one one of my toes to make anything at all for GWAR since they’ve been such a big inspiration to me over the years.  

In general I’d like to practice making art that translates well into album covers,I tend to be very character-focused and treat backgrounds as something one does only when forced at gunpoint. Recently I entered a contest for a comic called Kill them Dead that is going to paired with a power metal album and we were tasked with designing art to be printed on the vinyl itself. That ended up being an interesting design challenge since I really had to take that round shape into consideration. 

ᕦ⊙෴⊙ᕤ

You made the Metalachi Fan Armour, and now you've revamped it into Something More Orcish, turning your boob cups into a Deadly Mace. Do you plan on adding any new pieces to it? Have you worn it at the anime shop yet?

OZ: I don’t have any big plans for it at the moment though I’d like to refine the bottom half a bit more. In the original Metalachi look I had a pair of shorts inspired by mariachi pants which is an odd juxtaposition with the orc theme! The codpiece that went with the outfit was also sewn directly to the shorts, so I may do a new codpiece next. 

As for wearing it to the shop, I might bring it out if we do an RPG event in the future. I do ride my bike to work so that will be quite the spectacle to behold. 

┌∩┐(◣_◢)┌∩┐

How has the Anime Shop been for you? What have you enjoyed from the stuff they stock, if anything?

OZ: The shop has been awesome to work at! It’s called The Nerdy Otter because we’re right on the waterfront and our town is famous for our sea otters. It’s a tiny little place that was originally the storage room for a bakery until around April of 2023 when the owners decided to create a side business with anime and comic merch. We’re a small town so there’s really no one like us in the area. My goal for the near future is to spearhead a monthly gaming night or at the very least see if the owners will let me take over the social media so we can be promoting ourselves better. You can find us on Instagram HERE

I’ve taken good advantage of my employee discount and bought lanyards and pins to wear while at work, and I’ve got some really cool dice sets as well. Several of our Sanrio plushies have made it home also, though with those it was because they arrived to us damaged and I wasn’t able to repair them well enough to sell.  

(ง •̀_•́)ง

Your recent video on studying Gaelic with your hobonichi journal(and like 3 others) was pretty entertaining, and as a person who keeps going on and off with German and Japanese, it was inspiring to see someone actually progressing without taking on a tutor. Besides just having fun with it, has learning the language and keeping disciplined changed anything for you?

OZ: Aside from opening up a whole new world of memes, mostly about underpants and people named Iain, it’s opened up a lot of possibilities in the future when I can communicate at a level other than “literal baby”. I’m definitely thinking up ideas for working Gaelic into comic strips and I’ve found communities online that would probably really enjoy them. My big pipe-dream goal is to start up a second YouTube channel for Gaelic vlogging and just maybe do gaming videos, but that’s going to take a lot of study and tech set-up that I can’t accomplish just yet. Since Gaelic is very much a language on the brink of dying out I think it’s super important to use it as much as possible and to show that it is absolutely learnable. 

Ѱζ༼ᴼل͜ᴼ༽ᶘѰ

I am guessing you've researched the Celts to an extent since you draw them plenty, do you have any favourite facts or stories about them that you've come across or artifacts?


OZ: My favorite artifact is definitely the Gundestrup cauldron, a silver cauldron unearthed in Denmark that features one of the most iconic images of the god Cernunnos ever found. Cernunnos himself is very interesting as we really don’t have any documented information on him or even know if that was his common name. A horned god appears numerous times in Celtic art but the only place he is explicitly named is on a monument known as the Pillar of the Boatmen. 

/╲/\╭(ఠఠ益ఠఠ)╮/\╱\

I remember you saying your soundtrack whilst Arting was all over the place and didn't exactly reflect your barbarian babe vibe, so what exactly do you listen to?

OZ: As of recently I got back into playing Sonic Adventure 2: Battle so I’ve been listening to a lot of my favorite songs from the game, though maybe that’s a bad example because that OST goes absolutly hard as fuck in some levels. But I like to pair my music with the vibe of what I’m making and sometimes my vibe can only be captured by Big Bad Voodoo Daddy. While my playlist is mostly metal, Tiny Tim is hiding in there somewhere along with Cab Calloway. Billy Idol has also carried me through many drawing sessions!

`(๑ △ ๑)`*

Now besides an Arting playlist, give us like 10 bands you would recommend nowadays?

OZ: In no particular order: The Irish Rovers, Brocas Helm, Peat and Deisel, Slough Feg, Wrath of Killenstein, Randy (who the demon dog in Gobliterated was named for! Not to be confused with a Swedish band with the same name) Jerusalem (also not to be confused with a Swedish band of the same name, This is starting to look like a pattern…) Those covers of Alvin and the Chipmunks songs where they slow it down to 16 speed and it turns into sludge metal, 


(ʘᗩʘ’)

Have you made a soundtrack for immersing yourself in Gaelic?

OZ: I’ve got a couple of playlists saved and built on YouTube with anything that looks useful for immersion, finding Gaelic content is way harder than something like Spanish where I can immerse just by going outside and eavesdropping but you can still dig around and find a lot of helpful materials. I don’t have a lot of gaelic music included because I’m focusing on as much natural speaking as I can. 

(゚ д゚ )

Hail Yourself Zine how did you get in on that? Did you enjoy being a part of it?

OZ: Getting into Hail Yourself was a very lucky coincidence, they had flyers printed out and spread around town and I came across it on one of my collage’s bulletin boards. I sent them an email and a couple of art pieces, and Krystal sent me an email back saying she looked me up on Facebook and saw the comic strips I was doing (unofficially) for Metalachi. She was hoping I could made a comic strip in a similar vein to Beelzebubs, and that’s how Gobliterated originally came about. This expanded into having a table at the first Mid-State Metal Fest, and being asked to design the flyer for the second. Unfortunately COVID came and shit all over everyone’s everything everywhere so that event was canceled, and the zine creators ended up moving across the country leaving our area once again bereft of a good metal zine. But it was a good experience while it lasted, and it was by far the most high-quality zine I’ve ever come across. 

(૭ ఠ༬ఠ)૭

How have you felt about your zine journey so far?

OZ: I think that I’ve learned a tremendous amount not just about the process of DIY publishing but about where my strengths are when it comes to making comics. Since I’m working with a set number of pages with the expectation of a physical printing it also forces me to think more about story pacing and how pages “flow” together. I’ve definitely moved from the mini-magazine direction to the straight-up comic direction, and I’d like Brain Fart Comix to basically be whatever comic idea I’m floating about at the moment. 

(o´・ε・`o)

In November 2022 you said you weren't too good at self promotion and the audience was small but growing, have things changed? 

OZ: Online algorithms are a beast we’re enslaved into feeding, and there’s still a lot of ways I could be better but I’m noticing that my Youtube is gaining a lot more traction. I’ve recently changed my vlogging format to show more actual process footage and to focus on each month’s big project. I’m hoping to exploit my down time at work and use that for promo work and studying instead of researching terrible jello salad recipes like I’ve been doing. 

( ͝° ͜ʖ͡°)=o==[]::::::::::>

With Gobliterated I felt like Grokka was your avatar so to speak, but then I noticed in the notes for some strips that even Ronnie was mirroring things in your life, such as planning out your week and then COVID. Who do you relate to the most? (You can not say Randy.)

OZ: There was actually a secret logic to how I wrote each Gobliterated character, and it’s that I wrote every character based on my more negative personality traits or habits. Ragnar gets big ideas but when faced with roadblocks he can get the wind knocked out of his sails and loose motivation. He also wants to be perfect right off the bad and doesn’t like going through the pains of learning a new skill. Grokka is somewhat neurotic in general with a tendency to beat himself up over conceived flaws, and even overcompensates by working himself to burnout.

I didn’t get to show a lot of Ronnie as a character but she takes bad moods and makes them worse by stewing and ruminating on them, and she’s probably who most closely resembles me in personality. 

(╬ಠิ益ಠิ)

If FATAL QUEEF actually made music, how do you think it would sound?

OZ: Ska from hell! 

ლ(´◉❥◉`ლ)

Ok let us discuss this Wes Johnson obsession, when did it start, how is it going, and would you plaster cast his face and wear it around the house? When are we getting a spicy version of him with a mace and malog balls wabbajackin' off?


OZ: Oh man, this was a rabbit hole that started with me getting really into Sheogorath from the Elder Scrolls, which lead to me stumbling into a photo of his voice actor in full Sheogorath cosplay, and then I started researching other projects he’s done. In the words of the great Squidward Tentacles, “Oh no, he’s hot!”. For those who aren’t familiar, Wes Johnson is an absolute gigachad who’s been voice acting in Bethesda games since Elder Scrolls: Morrowind, he’s easily half the characters in Oblivion, he’s done tons of voice over work and radio appearances (even appearing with the legendary Wolfman Jack) and also announces for the Washington Capitals hockey team. I swear, he Unleashes the Fury and there isn’t a dry pussy in the whole Capitals Arena. 

Everything I’ve heard about him personally is that he’s an absolute sweetheart. I’ve shown a few of my drawings to him (not everything, I think he’d sleep better at night never seeing some of my Sheogorath art)  and he’s loved them all. I’d love to meet him at a con someday provided he hasn’t hired security to keep me as far from him as possible. 

If I ever make a Wes Johnson dakimakura you’ll know I’m in too deep!

മ◡മ

On that note, give some updates on your most current projects and happenings in your life so everyone can keep up with you!

OZ: This actually ties into the Wes Johnson question! He holds an event in May called Voiceapalooza where he teams up with other voice actors to raise funds for the Alzheimer’s Association. A lot of gamers join in by raising funds while streaming, last year I did an oil painting of Hermaus Mora to auction off. This year I have a slightly ambitious goal of making a short Sheogorath themed comic and selling printed copies to help the cause. I will have to haul ass on it because Voiceapalooza starts May 1st and I’d like to be able to promote the comic all through that month. As of right now I have an oil painting to finish and then all of my energy will be focused on the comic!

(∩`-´)⊃━☆゚.*・。゚

OZ Through The Pen Of Beefus Von Griefus

IF YOU HAVEN'T READ MY PREVIOUS ARTICLE ON OZ, CLICK HERE!!!!!

You can find OZ pretty much fucking everywhere...
INSTAGRAM

Wednesday, March 6, 2024

Orange Zeppelin: Brain Fart Comix And Beyond

Jameson, Rambo Knives, And ART

A long while ago, in the dimly lit past I somehow discovered this art account (more than likely through some zine hashtag of sorts) and it was none other than the incredibly talented ORANGE ZEPPELIN!!!! I was lucky because by then she had released her first issue of Brain Fart Comix. I ended up seeing her hand painted GWAR - America Must Be Destroyed / Phallus In Wonderland GWAR vs The Morality Squad skateboard and was totally obsessed. 

Doesn't Get More SEXCELLENT Than This~

There are so many other paintings I absolutely love though whether it's Vermin Supreme, Skul Fukka, The Fighting Uruk-Hai, Death Dealer Backpatch, Zatz The Prince Of Bats, Celtic Warrior OZ 2022 Version and so many more.

Celts vs Orcs Banner For Websites N Shit

I remember being impressed after seeing either a story on Instagram or maybe from one of her Vlogs, her drawing the comic book page layouts/panels by hand, using a ruler instead of just using a template or digitally. Considering this was not a 45+ year old, this is not common and only intrigued me further. At this time she was doing (I think) Gobliterated and Woah Awesome Space Babe (which was Patreon Only at this time). Gobliterated strips were fairly simplistic, so I think she might have been mapping out some Woah Awesome or something from Brain Fart Comix, dunno, it was K O O L. I think this was a reason we started talking too.

Da Boiz

Gobliterated In Hail Yourself Zine was unfortunately short lived as they disbanded. But many Hailz and Ave Sathanas's and other evil praises I can cast upon them, because the zines themselves were pretty cool aesthetically and had a few cool interviews in them, plus a fucking comic! 


Gobliterated is about a band, or a band forming, or a band doing something, mostly just Ragnar Facepunch and Grokka Pissboner. Grokka feels the most like OZ's self insert. Owns A Trumpet, Sleeps With Mouth Open, AND Skateboards? And I definitely wonder what a McGangBang tastes like, anyone know? Asking for a friend. Their band, FATAL QUEEF, goes through all the growing pains of being musicians such as learning how to play your designated instruments...from scratch...after starting the band. 

But all in all it's a great Fantasy Slice Of Life that is all a bit too real in a sense. Life getting in the way, you getting in your own way, and having a demonic dog as a mascot for your band. Relatable. With the Gobliterated strips a lot has to do with actual events in OZ's life whether it be covid after planning out your week, getting a job at a restaurant, celebrating Christopher Lee's Birthday with a marathon.  

One Of My Favourite Strips IT WAS THE BABOON'S IDEA

The art has simple lineart and seems mostly shaded with watered down ink, I've seen one where there was a Coffee Spit Painted With Real Coffee. Traditionally done comic strips are more my speed, as I am not too much into the super clean digital 'Webtoons' style that just feels neutered to me. Her other comic Woah Awesome Space Babe although far more digital, still holds the charm of her linework. 

NOTE: You can Right Click + Open Image In New Tab for a Higher Resolution view!!!!!

Issue 01 Front Cover

Issue 01 Gobliterated Strip

Issue 02 Front Cover

Issue 02 Gobliterated Strip

Issue 03 Front Cover

Issue 03 Gobliterated Strip
Below Artwork by WARHEAD ART

Now we make our way into the main reason for this post...Brain Fart Comix!!!

All Five Issues lookin' All Sexy N Shit

While these are mainly Comix zines the first two issues had a little bit of writing in them I definitely miss. Issue one with it's love letter to the excitement and visceral emotion that comes from your art supplies, or Issue two with a feature on Celebrity Nerds. It was fun to dive a bit into the artist's mind and what mattered enough to them to write about. I definitely motion for a return of at least one written page besides the intro!

Issue 01 I would say is Half Autobio Comic and Half Comix.  The writing portion is a love letter to the experience of art supplies, doing art, and immersing yourself into it. The part about purchasing new supplies and it feeling like a candy store was no joke, and the intense euphoria experienced is 110% real. Luckily 'The Origins' actually tells a short story and steers clear from the traps and tropes of those 'Adorakable' Autobio comics/graphic novels that litter the bookstores. 

And in the Comix section we have Night Of The Livid Dead which is about a band, pre-dating Gobliterated AND ACTUALLY CAN PLAY THEIR INSTRUMENTS as they are seen On Tour. Of course the debut of Sir Pete as well, you will love him, you have no fucking choice. 

Don't get used to this style because each issue becomes a different monster with it's own personality which can be good or bad. I honestly like it, it reminds me of GWAR albums, always changing, always experimenting, Rule Of Cool dominates the content, just like these zines. So not only is there a progression of art style, but a progression of style in general.

Issue 01 Front Cover

Intro Page, Index Card Drawing, The Origins

Night Of The Livid Dead


Issue 02 was definitely to me the D&D Issue of the bunch, and it only took her 5 pages to show one of her favourite things to do, put a fat dick in your face... albeit this one was behind a spikey codpiece. The Livid Dead get into some deadly shenanigans and some fearsome rejected RPG foes incase the monster manual is making you yawn. The art has improved from the last issue and of course the valiant return of SIR PETE. I do wish the Dicklump-In-Yo-Face comic went on longer. But I think the singular artworks and the D&D spread make up for that.


Issue 02 Front Cover

D&D Spread

Sir Pete At It Again

Issue 03 or as I call it The Frank Zappa Issue, I remember first seeing it and bothering her to save me a copy until I got the cash to buy it since I think it had already sold out and she was only pressing a few more copies. I always enjoy finding Zappa fans in the wild, and most times they are into a lot of the bands I am into that fall into Shock Rock/Comedy Rock such as Green Jello, Aquabats, GWAR, Haunted Garage etc etc. This issue was definitely The Music Issue and rightfully so with that cover artwork.

The issue was shorter than the two previous ones, but this was the first colour cover. I feel like the Brief History of Music should be featured in a legitimate music magazine because its so good. Now if you remember the intro to this section I talked about wanting the writing portion back? Well it sorta came back but in a Music Zine kind of way, an interview. There is also another great Mid-Zine-Spread that I didn't want to spoil, it is definitely the next stage up from the D&D spread in quality and lively action. Also Tits.

Some Fucking Mustachio'd Cunt With Baby Snakes

Intro Page, A Brief History Of Music Comic

Charros Of Rock aka The Outlaw Mariachi Interview

Oh geez Sir Pete....


Issue 04 was the second coloured cover issue, featuring everyone's favourite Sir Pete. How does this lil fella not have a Fanclub by now? SPC (Sir Pete Crew) at PO Box 666 Sloppy Bitchpole Drive Malibu Barbie 11209, send an SASE and a nude pic of yer mom and if its good enough I'll ask OZ to send a sticker of Thee Sir. 

Actual Sticker Of Sir Pete

But Yes, Sir Pete gets his own adventure this time, as the entire zine! Not just the last word! As fun as stuff like The Livid Dead was I found Gobliterated to be even more fun, although it didn't get proper zine or comic book treatment it definitely scratched that itch, and this time there is no writing whatsoever, but a full on character adventure makes up for that. You still get a beautiful spread, aliens, and even Joe's Garage! Time has passed and art has improved, OZ is always churning out stuff and experimenting/honing her style and it is shown here. 

Watch a review of Issue 04 by FERAL COMICS :::HERE:::

BTW did you see the actual working MAZE? Fucking COOL. 
But did you know you could easily just cut out Sir Pete from the page and make him FLY over the maze to the exit, whilst making swooshing noises and random opossum shrieks all the while, and beat the maze? Yep.

Issue 04 Cover Art WITH SIR PETE!!

Sir Pete In Spaaaaace

Sir Pete In A Maaaaaaaze


Issue 05 is the most current issue as of right now (03/07/2024) and although it is not a coloured cover it still has Sir Pete on it so all is well! It feels a little thicker than the past two issues. The cover definitely foreshadows one of my favourite parts which is the spread with the experimental panels. It is hard to talk about this without spoiling the storyline, so I would recommend just grabbing a copy. The art style remains the same as I think less time span between these two issues than the other ones. But like the last issue, you get an ending page with an interactive element! 

Sir Pete Stealing The Spotlight Again!

Experimental Panels With Sir Fuckin' P E T E

Sir Pete Colour By Numbers!!!!
Hope your low IQ ass can count!

So you've seen the paintings, the comix, the zines!!! Are you inspired as all hell? Well of fucking course she did the Big Brain Thing and made a video about making your very own ZINE! I recommend you watch it right now, and then go make your own so we can all go trade!


Now of course, because ZINES, we had to have a trade, and we sure did, TWICE! She was the first person to actually review my zines, and still remains the only one. So I give forever thanks for being so cool and supportive, you da best!


Of course there are other Zine Reviews she's done, Check Em Out!


You can find OZ pretty much fucking everywhere...
INSTAGRAM

Sunday, March 3, 2024

Life: The Necropolis Issue 01 By Nick Klie

I forget how I originally stumbled upon Life The Necropolis but it was down some abyss on Instagram hashtags one boring night. I forget exactly where the comic itself was when I first started reading but Nick had a few years under his belt already. I started from the very beginning and read up until current (at that time) and luckily not too long after he started hinting about an issue coming out. It's always exciting to see an indie creator release a first issue, live through that special moment. 

The issue was the "Shrub" story which can be found in the archive in 16 parts in 2020-21. Having read far past that and knowing it wasn't the first story to come out I was a bit confused. But once my brain gears started turning, if you look at the way the art, perspective, composition, and level of storytelling evolves up to that point it really is the midpoint. Therefore a great way to show enough of the beginning while easing into the current. The art 'style' itself tightened up but kept it's gritty original charm. I find it to be easily distinguishable in the midst of many 'samey' comic artists. Maybe it's his influences compared to others? But just like musicians, it's in the fingers, wrists, elbows etc. 

One fun thing about reading along on the archives, besides being able to read far more than just Shrub, was the notes at the bottom of the page by Nick. 

Whenever there is a closeup of LIFE his eyes always 
make me think of Joan Cornellà Vázquez

I remember noticing at the bottom of some pages as I was reading there was a 'Thought' on the specific comic page from Nick talking about this and that in the process like what influence was used for this, or the colouring from this panel was inspired by that, or where it started on "The Key: Part 28 Page 000093" he drew Life's nose more realistic to which he commented on it with a simple "meh". I wonder how many readers actually scrolled past the navigation buttons and read all those thoughts? There are also a shitload of tags/keywords there as well which gives clue to inspirations for certain elements. Ranging from GI JOE, IG88, Moebius, Nausicaa, Apocalypse Now etc etc. 

One of my favourite pages, simple and fun Merc Werk

But what say thee of the Book Of Comik? The Floppy Tome Of Toonish Treasure?
Well how about you just look at some pics I took of it? 
You can't get one, they are sold out, so instead, go harass him to make a second issue!

Front Cover SIGNED For Extra Nerd Points

Glare For Extra Blindness

Back Cover For Extra Not Good


But Of Course That Couldn't Possibly Be ALL I Was Gonna Have In This Post, Right?
Absolutely Not! So Here Are A Few Questions I Sent Nick, Nearly A Year Late!

What were the first types of art you gravitated towards as a kid?


Nick: All I wanted to do was draw GI Joe all day. I loved early 90s over the top comics that are pretty much the exact opposite of how I draw!


Who were the first artists who got you to start drawing?


Nick: The Image guys were the first ones whose names and styles I would recognize, like Rob Liefeld, Jim Lee, and Whilce Portacio. Loved that stuff!


Is there/Was there a big comics scene where you Grew Up/Are From?


Nick: Not that I know of. Not as a kid in my home town or as an old man where I currently live. There’s a few artists here and there who work on stuff, but no connected community. Either that or they just don’t want me around… 


How much does it suck to run a comic shop?


Nick: I still love the industry, but yeah, retail is retail. 95% of your interactions are great, selling the stuff you love to people who love it too, but that other 5% is what people hate. Most of our distributors have drastically cut back their service since the pandemic, and it makes the admin part of the job brutal. But I’ll be damned if I don’t still get excited every time stock shows up. 


At what entry of LIFE's story did you finally feel like you truly understood/harnessed the character emotionally/mentally? 


Nick: I’ve had a pretty clear idea of who Life is since day 1. He is just apathy and violence, with some kind of strange personal code. That’s why he’s called Life, because he kills everything. 


Do you have a favourite panel or page? And what makes it so special to you?


Nick: For a long time my favourite was L’Homme, page 00050. It’s just one panel of Life fighting a pile of mutants. I was struggling with my colours so I directly copied some colours from the Moebius story “L’Homme Est-il Bon?” to try to help me with colouring. Just gave me hope I might be able to finally figure this whole thing out. 


From "Health" page 000149 you started using this limited colour palette approach, what was your reason to switch from colouring everything to this?


Nick: I really don’t have an eye for colour. It was taking me forever to colour pages, and I was never happy with the end result. So I decided to go on a journey of deconstructing my colouring by starting with only one colour, and slowly adding from there. Although I’m sure it’s less popular, I much prefer my colouring now. It’s much faster, way more enjoyable, and much more in line with my vision of what I wanted my comic to be. 


If you were going to recommend a handful of comic books to start their journey with, what would they be considering all that has come out since you were first introduced and inspired?


Nick: I’m the worst at this because so much of what I read is either directly connected to my childhood comic collecting, or weird sci-fi. I love the Death of Superman and Age of Apocalypse, but I don’t think I’d recommend if you have no attachment to it. I love Watchmen, Preacher, Dark Knight Returns, but that’s too easy. Judge Dredd is almost too big. You know what? Akira. Read Akira. Or The Incal. 


Oh Shit are you ready for a THROWBACK THURSDAY?????

LIFE on his first night of being a Mercenary, Neo-CBGB's 
This is definitely absolutely not Cannon...
...unless?

Friday, December 9, 2022

Asking Artists Questions PART II

IF YOU HAVEN'T READ PART I 

YOU REALLY SHOULD!!!!


I've spoken to and met a handful of really cool artists over the years, so I figured why not ask them a few questions so others can get a real glimpse into what Being An Artist is instead of the typical 'Starving Artist' stereotype. This is PART II. CHECK BACK FOR PART III

"How has it been for you as an artist?"

Wolf Baker: It’s been alright. I’m happy with the work I’ve put out thus far, but finding an audience is always a struggle. To me, art feels like having sand in my shoe. If I go long periods of time without getting anything creative done I get all irritated. Gotta shake the shoe out from time to time. That said, things aren’t bad. I’m not losing money or anything. Still haven’t found a way to make art full time yet though.

RonDee Productions: Satisfyingly Tumultuous.

Gavin Hardin: Honestly I can't complain, I got lucky and had an artistic mom who always supported me and pushed me to do art more. Art is my escape and I'm glad I get to do it everyday.

I'm always playing around with new mediums and evolving as an artist so nothing ever gets boring for me. If I'm tired of drawing I'll paint and if I'm tired of painting I'll sculpt and so on. The hardest part is procrastonating on making shit and letting it sit for too long. This is why I like making stuff for the band, because we sort of have a deadline in a way so it gets our shit in gear.

Derelict_dum_dum: Honestly, I feel pretty guilty. There are a lot of artists who have gone through severe hardships to get to where they are. I just kinda put up an instagram and now, met people with incredible talent who are always pretty eager to talk to me. I know it takes pretty long for most people to get that kind of engagement, so why do I get special treatment? BUT its not all guilt, I own a lot of my old sketchbooks from when I was 8-12 and hoe lee sheet. The improvement from 6th grade-now is just beyond unreal. So I can also see the hard work I put in through all the years, yet I feel I dont deserve it. 

"Your first Triumph?"

Wolf Baker: My first triumph was back in 2014, when I did my first solo art show. I had done about 30 8”x8” acrylic paintings of horror movie monsters in everyday situations. The show was called “Horrordinary” and I managed to sell a lot of my work for the first time. 

RonDee Productions: Big triumph Gritty, I am One of the folks who worked on him, I managed the project and made his head.
Favorite triumph Mooby statue fix from Clerks 2, someone broken his arm off and the company I worked for had to fix it. because I was an intern I was brought on the job. 

Gavin Hardin: I think the first painting I ever sold was an 11x14 piggy for $100 and I remember being blown away that someone would pay that for something I painted. It was inspiring to do what I wanted to do and be able to get support doing it. For a while i was able to pretty much just draw what ever I wanted and make prints other people seemed to enjoy too. I need to do more prints, I'm mainly focused on tattoo stuff and the band lately so it usually ends up being one of those two subjects.

Derelict_dum_dum: I remember extremely vividly, I was about 8. I had been In the hospital for multiple strokes and lost all mobility in my right side AND im a rightie. My luck. Somone (probably one of my neighbors) had gotten me an XXL melissa and doug girly ass colouring pad and a 24 count of crayola crayons. My parents had to explain I couldn't move my hands let alone colour all that well. Of course, I freaked out and wanted them so extremely bad. I had always been a creative kid and needed any semblance of life back home. And so, albeit poorly, I opened and got to work. Of course, I could barely get wax on the paper but I did something. Everyone in that room including myself started getting misty eyed and eventually turned into a mush of emotions.

"Your first Roadblock?"

Wolf Baker: Lack of free time always seems to be the big one. Gotta pay the bills, working full time doing shit that has nothing to do with art and then trying to squeeze it all in on nights and weekends is difficult, but it’s a compulsion at this point. Art is so ingrained into my identity and how I see myself that I couldn’t stop if I tried. Doesn’t leave much time for social interaction though. I’ve tried to find ways to keep working on the go, like using watercolor brush pens and a sketchbook or making the bulk of my comics on my ipad so I can keep working on art wherever I’m at.

RonDee Productions: Lack of knowledge to pursue passions and gatekeeping.

Gavin Hardin: It's hard to think of something that really just held me back. I guess I would have to say the space limitations of living with my mom still. I remember trying to figure out sculpting and moulding in my bedroom and just absolutely wrecking that shit. Now that we have our own place I have the garage dedicated to storing tools and craft supplies.

We now have the abilit to just leave projects in progress in the garage without worrying about it being an eyesore. I've noticed, because of this, that I spend a lot more time on props and things when working in the garage. Or maybe this shit we're making is just getting more intense. Either way it's the best work flow ever in the garage now that I have shelves and tools right on hand and room to suspend large costumes to layer on rubber.

Derelict_dum_dum: Oh boy, it was probably my own frustration. For the longest time my hands were just not doing what I wanted them to do after all my dumb medical shit. Theres no real way to describe how mentaly damaging it is as an artist when your hand, something you've known for your whole life, don't listen to you and have a pretty bad delay. It was like every signal being sent from the brain to the hand was muted, boiled down to the most basic left, right, up, down movements.

"Is there a specific influence that has never 

lost it's charm and potency for you?"

Wolf Baker: There’s a few! Moebius, Geof Darrow, Frazetta, Otomo, Paul Pope, Wayne Barlowe. All of their stuff I feel like I could just stare at forever and still find new things that get me excited.

RonDee Productions: Muppets, Labyrinth and Dark Crystal, all puppet celebrities, Alf. I'm a Nickelodeon junkie and a Boingoloid, I'm obsessed with Oingo Boingo.

Gavin Hardin: That would probably have to be GWAR. My whole childhood I was obsessed, my mom even claimed to have played AMBD on her pregnant belly. GWAR is all over the place. There's just so much stuff it never gets old. Dim times and early 90s will always have a special place in my heart, but when I want something different I listen to different albums and it flips the mood in a whole new direction. Lately I've been obsessing over the tentacle arm/ flesh column era. It's always been one of my favorite eras and I love the crazy dark sound of the TTE album. I don't always listen to GWAR though. I listen to all kinds of music. Lately I've been obsessed with this crazy psychadelic stoner band "King Gizzard and the Lizard Wizard". They write so much music it's insane. They have all kinds of different albums from thrash to Lo-Fi and lots of middle eastern doomy microtonal stuff. I feel like I'm gonna be listening to them for a long time. Whenever I get my day off in the garage started I always put on some gizz and it helps me chill out and reset the work area before diving into a project.

Derelict_dum_dum: any type of ARG or interactive experience that spills out into real life is just so inspiring to me. When people go out of their way to put a box in a random forest in a random state on a random coordinate for some random person to find its just…AAAAAAAHH!!! I get frustrated trying to find the words to convey just how fucking cool it all is to me.

"How do you go about setting Art Goals?"

Wolf Baker: I try to set specific goals for myself that I think I can actually accomplish. This year it was “publish 3 new comics”. Next year I’m trying to focus on getting my stuff out there more, getting to more shows, etc.

RonDee Productions: Haphazardly, it's mostly based on project deadlines. I'm trying very hard to set time aside for my own work. 

Gavin Hardin: Lots of things just kind of permanantely live on my idea shelf somewhere deep in my brain. There's lots of things I think about but don't get around to doing often. One thing that keeps me busy is tattooing. People come in with ideas that I then have to turn around and have ready in a matter of days. It can be stressful sometimes but it really helps me understand my ability to produce art in a consistent timely manner. Sometimes I do find myself comparing things I do to things I did in the past like, "Damn I haven't done one of those full page black and white sharpie drawings in a while, maybe I should do some of those?" but for the most part i've been trying to stay focused on things to help the band like T-shirt designs and finally finishing the BUDMONSTER comic book. Like I said the band gives me a deadline so I can tell myself, "Ok... we're done with the costume so we're debuting it at this next show and if I can have a comic book done in time to help tell the story of this new monster that would be awesome!" then I'm really hard on myself and end up finishing it early because I over estimate how long it will take.

Derelict_dum_dum: I don't really set goals, never have. If I know I need to work on a specific thing like anatomy, ill keep incorporating those things inside of my drawings until i get at least a little good. Most my drawings right now have a lot of facial expressions. That in my opinion is the thing I need to work on.

"How do you work? Everyday? In Spurts?"

Wolf Baker: I have ups and downs. ADHD brain has me working like crazy sometimes and some weeks where I don’t get anything done. I think it’s important to take breaks and keep inspired. Whenever I hit a block where I feel like I’ve run out of ideas, I’ll usually spend a few days consuming a ton of media. Whether that’s going to the comic store, the library or just binging a bunch of shows. Been watching a bunch of the 90’s outer limits series lately, which like, isn’t technically good, but its so fucking wacky that I end up wanting to write my own stuff afterwards.

RonDee Productions: I work everyday but not in a consistent manner, some days are much more productive than others. But I tried to do something towards the business everyday.

Gavin Hardin: I'm constantly doing somethning creative as much as possible. I've always got so many projects going on weather it's band stuff or just normal clients for the week. I'll usually wake up and chill in the garage first thing in the morning. Usually just to straighten things up or tinker with an in progress project. Then I head up to the tattoo shop where I usually have two appointments a day (plus whatever walks in between clients). Usually I like to have my homework done so all my appointments go smooth for the day. When I'm not tattooing I'll usually doodle or tinker with some in progress paintings I keep at the shop. Sometimes I pull out my laptop and work on the website or gather and edit samples for our live show. Then after finishing with my appointments, we head home and cook some dinner. After that we usually smoke some weed in the garage and play around with props. This is when we come up with new ideas for skits and props or work on big projects like the Budmonster together, It's a vibe in there when we're all working together on stuff for the band with some music going. This usually goes on until about midnight when I work on any upcoming appointments stuff on my ipad in the bed. That's pretty much every day for me except Sunday I have a full day to clean house, run errands, work on props, or whatever I'm feeling. Then every Monday we have TERATOMA practice with the band members.

Derelict_dum_dum: At the time of writing (10/26/22) I have 5 more days to get the GWAR-itaive done so every day for me is working for 5-7 hours. From 2:30 usually to 9:00 or 9:30. Lineart and sketches take one day to complete and inking takes an additional day. So 14 hours to get one painting done in total. I am in constant agony.

"How many different mediums 

have you tried so far?"

Wolf Baker: I think I’ve lost count. I worry sometimes that doing too much there has made my style inconsistent and makes it harder to market myself, but also I make art to have fun, so like, fuck it. In June I really started pushing myself to learn blender. 3D has been really cool so far, still hoping I can manage to make something happen with that. I think my main mediums are watercolor, gouache, digital, ink (started learning to ink with nib pens recently), needle-felting, and now 3D. 

I used to be into acrylic painting and markers more, but both got to be too expensive to do all the time. Every once in a while I pick ‘em back up though.

RonDee Productions: Puppet and costume building requires you to be a jack/jill of a lot of different mediums but I tend to gravitate to all things 3-dimensional. Overtime I found a mastery in foam fabrication

Gavin Hardin: I couldn't even tell you honestly. I dabble with everything I can pretty much. I love clay, latex, plater, acrylics, oil, tatooing, woodworking, leather work, print making, japanese watercolor, and even filming and editing videos. I run the website and all the social media accounts for the band too so I'm always striving to be able to do anything I set my mind to.

Derelict_dum_dum: oh boy, i've done so. Freaking. Many. honestly, over the years id say i've tried 15-20 different mediums. My main mediums of choice right now are ink n watercolour. Mixing them makes a nice dulled/ dark winter look. I also do art in the sense that you don't end up with a product that you can hold. I have and still do work/worked with a good portion of theater. I've done advertizing, production, stagehand, performer, manager, stage manager, set designer, set builder, costume designer, and so many more I cant count.

"What is something you struggle with or never have been able to get the hang of?"

Wolf Baker: Robots/Mechanical stuff. I’ve always had an easier time drawing/sculpting organic forms over tech stuff. I can make it happen if I need to, usually with a lot of reference, or sometimes going as far as to model what I’m thinking of in 3D to get that perfect reference, but I’ve never been able to just come up with mechanical designs off the top of my head.

RonDee Productions: The needle crafts elude me.

Gavin Hardin: Sewing. I fucking hate sewing and working with fabric. Foam is already annoying enough but fabric is always doing something dumb, especially when you have no patience and a bunch of kitties.

Derelict_dum_dum: Hands suckin fuck. Though, it is rewarding when you get those little demon lumps right. Listen, I love anatomy like a child but I would rather jam a SOHO street art brush up my nose and into my brain then draw any kind of intricate pose involving hands.

"What was your first Art Sale?"

Wolf Baker: Back in 2014, I ended up pestering the local tattoo shop to display some of my paintings and finagled my way into having a little solo show. Made like $400 bucks and have been chasing that dream ever since.

RonDee Productions: Most likely it was a miniRONSTER 

Gavin Hardin: I recall selling small ball point ink pen drawings to people at my parents house parties when I was a kid. We had a big bay window and I would tape the drawings around it like a store front and swindle all of my parents friends into giving me money. I was probably about 6 years old then.

Derelict_dum_dum: So my first “sale” was a commission in instagram that involved dickie duncan, sawborg destructo, and Bonesnapper. But I didn't take money for it. I HATE taking money for comms. I wouldn't charge if i didn't need to pay for my own materials. Im currently working on a fully paid commission (hey cosmic crouton!) but I don't know how much im allowed to say about it

"Who are your favourite artists right now?"

Wolf Baker: Mostly comic artists right now. James Stokoe, Matt Lesniewski, Simon Roy, Frederik Peeters, Daniel Warren Johnson, and James Harren are some that immediately come to mind.

RonDee Productions: Claes Oldenburg is always an inspiration.
Barnaby Dixon for his unconventional puppet manipulation and his incredible puppet building. 
There's a puppet troupe called Imagicario, I love movement they get out of their characters.
Spiral Q in Philly the work they do is an amazing example of how puppets connect communities and their inspiring way they can create impactful puppets with reusable materials.

Gavin Hardin: Of course the remaining staples are: Chuck Varga, Dave Brockie, Hunter jackson, Don Drakulich, pretty much any pillar of GWAR. Peelander Yellow is amazing aswell. Lot's of tattoo artists are super rad, there's this guy Paul NYCZ from Iowa and I love everything he does. Alix Ge is another good one, and Timothy Hoyer. Musically I'm really digging the King Gizzard band I mentioned. They just have such a great way of composing full albums that seamlessly tell a really indepth story consistantly in multiple styles. Also their music videos are super awesome and trippy too. Some seriously wicked shit going on over there in the Gizzverse!

Derelict_dum_dum: Currently my fav artists are Bobert Gorman, Matthew maguire, Margret Rolicki, Leigh Avidan, Elton john, Pablo Picasso, Junji Ito, Sierra Boggess, Andrew Lloyd Webber, Distortions Unlimited, Poison Props, and anyone who bribed me to write about them.

"If you've worked conventions/events/art faires which were your favourite ones so far?"

Wolf Baker: Before the pandemic I was all about art shows. 2020 is when I really started working on comics hard, so I haven’t gotten into too many conventions yet. Detroit Zine Fest has been really awesome to me and the Xtreme Corp dudes. Just got word that we got accepted for next year. So I’ll be there March 4, 2023. Trying to get out of Michigan a bit more so I’m throwing out applications to stuff in Canada and Ohio now too.

RonDee Productions: All events have moments that make each one worthwhile even if they're not all lucrative. You never know who you may meet or inspire.

Gavin Hardin: Recently I got to participate in "Inking the Coast", a local tatoo convention, and it was a super fun experience! I got to work on this killer traditional Japanese back tattoo and got to connect with and talk to some really cool, like-minded artists. Plus it's super refreshing getting out of the shop and getting compliments fron artists I personally enjoy.

Derelict_dum_dum: N/A

"Have you met, spoken to, or befriended 

any of your idols/heroes?"

Wolf Baker: Not really. That would be pretty cool though!

RonDee Productions: I did get to meet Allen Lee and Brian Froud. They each signed my copy of a book they co-illustrated.

Gavin Hardin: One of my favorite of these type of situations was meeting Peelander Yellow. When I was on tour with Green Jell-O in Texas we had a day off in Austin and we were just chilling at a random motel 6. I decided to hit up Peelander Yellow on Facebook asking if there was any way we could meet up so I could get a picture with him. Surprisingly enough he messaged me back super quick with an adress that was only a few blocks away! I convinced one of the Jell-O guys to drive me and Scarlett over there to meet him and it was amazing!

We got a private tour of his art studio and he was so nice and shy. He even pulled out the old kaiju costumes and let me try them on. I told him we would be playing in Austin the coming week and asked if he would be interested in checking out the show. He said he definitely would and a week later after a whole ton of crazy Jell-O train nonsense and a broken down mini van, HE SHOWED UP! and hung out at the back of the crowd. I grabbed another picture with him and thanked him for coming to our show. A few months later we saw them live in NOLA and he pulled me up on stage and let my play his guitar, crowd surfing me afterwords. I will never forget Peelander Yellow and he will always be one of my most respected idols. 

I recently also got the opportunity to have a one on one video chat with Don Drakulich about TERATOMA. It was super exciting and he had lots of good things to say about the props we made. It's always humbling when an artist you respect values your time and interacts with you.

Derelict_dum_dum: I have met the vocalist (Mike Bishop / Blothar) of GWAR and we talk from time to time. Hes a super duper quiet and kind person. When we talked pre-show he definitely noticed I was shitting pant (I was shaking so fucking bad) and got down to my level. The best part is he showed genuine interest in my art! He was even looking at handouts I was gonna give people. My guy started FROTHING at the mouth. He saw the tattoo concept I had drawn of his character so, of course, I gave it to him. I had also met Jerry Only when I was like 5. The only thing I remember is how nice he was and how one of the spikes on his battle jacket poked my eye.

"Any final words to new and upcoming artists about to enter the Hellscape that we exist within?"

Wolf Baker: Keep at it and find a way to make it fun. Don’t be too concerned with trends or what other people are doing. Life’s too full of frustrating bullshit already to make yourself miserable over something like art. 

RonDee Productions: I am a fan of affirmations and mantras, these are a few I've picked up.
You can't dream all day with no action.
Small wins are still wins.
Keep moving forward.
It's going to be hard find joy in the journey.

Gavin Hardin: All I've really got to say is if you wanna do anything do it. If you want to be the guy that can draw, draw everyday, find something you think is fun and make it. It doesn't matter if it's not perfect you just have to embrace it and make it your style. If you do art everyday you'll surprise yourself.

Recently Dylan has started tattooing and now after only a year he's went from not having any confidence of being able to draw to knocking out awesome tattoos he never thought he could do. It's not about how good you are at doing art, it's about the commitment of doing art everyday. I also want to say thanks for taking the time to interview me, I hope I've taken the time to go above and beyond on details with these paragraph answers hahaha. I don't understand why anyone would really care about what I have to say but I'll sleep happy knowing that this exists now somewhere on the internet and will live on and be read by people long after we're gone!

Derelict_dum_dum: Guys, gals, non-binary pals, if you have a burning passion PLEASE never let anyone or anything soil it. Keep that flame lit, no matter how many days ya just wanna throw everything away and declare yourself a failure. You're going to eventually start to make things you like as skill level improves. If someone tells you you cannot pursue what you like, know those people are just miserable and want someone to stoop as low as them. Uh… don’t break the law, don't use questionable porta-potties, listen to your parents, and definitely DO give me five dollars for a little sweet treat.